PRAXIUM / ART / MUSIC / RESEARCHAN ONGOING EXPLORATION
IDEAS, DOCUMENTED AS THEY EVOLVE
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An evolving collection of creative systems, complex research, sound, imagery, observations, and the ideas connecting them. Every chapter is built from its original sources.
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This entry brings together 4 source files across 2 editorial sections, organized as one integrated record of Not My Colour style. Its source materials comprise music & sound (2); documents & publications (2). The following overview dra…
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of UTC CalcuArt. Its source materials comprise artwork & visual studies (1). The following overview draws directly from the include…
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of PoeticAsymmetry UTC. Its source materials comprise documents & publications (1). The following overview draws directly from the …
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of chat segment UTC supplement 18. Its source materials comprise session & process records (1). The following overview draws direct…
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of UTC CalcuArt. Its source materials comprise artwork & visual studies (1). The following overview draws directly from the include…
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of PoeticAsymmetry UTC. Its source materials comprise documents & publications (1). The following overview draws directly from the …
This entry brings together 4 source files across 2 editorial sections, organized as one integrated record of A Crooked Moon style. Its source materials comprise music & sound (2); documents & publications (2). The following overview dr…
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of chat segment UTC supplement 18. Its source materials comprise session & process records (1). The following overview draws direct…
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of UTC CalcuArt. Its source materials comprise artwork & visual studies (1). The following overview draws directly from the include…
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of PoeticAsymmetry UTC. Its source materials comprise documents & publications (1). The following overview draws directly from the …
Djin.site approaches research, artistic practice, cybernetic design, and sound as connected records of an unfolding creative process. The archive is source-oriented: not a conventional blog with loosely attached files, but a library of entire contexts assembled into readable, playable, visual stories.
Each article preserves the evolution of the underlying work. New Drive folders become new articles; changes in existing source folders update the matching article.
This entry brings together 1 source file across 1 editorial section, organized as one integrated record of PoeticAsymmetry UTC. Its source materials comprise documents & publications (1). The following overview draws directly from the included records, while the article preserves the complete original material below. There is a remake now, not only a plan for one. The song keeps its title and its place; the earlier files remain recoverable. That is a small, solid fact. Set it down without dressing it as a verdict on the music. For this song, the reference has entered the process as actual sound, rather than a name alone. The result exists. Its sung words and quality still need a fuller listening judgment. Progress can contain both sentences without crossing either out. If revision were a printmaker, this would be the moment of lifting a second sheet: ink still dark, the pressure of the press released. The first impression would stay nearby, not as an embarrassment turned toward the wall, but as a record of what prompted another try. Perhaps the new line would be clearer. Perhaps a delicate mark would have disappeared while another gained strength. The second sheet would not answer those questions merely by being second. Someone would have to look. Let the imagined print dry flat. No hurried frame, no ceremony that asks the ink to prove too much. Keep the old impression within reach. Then bring the new one into the light, where a change can become something more useful than a claim.
Source-grounded extractive overview, up to 4,000 characters. Editable by the site administrator.
There is a remake now, not only a plan for one. The song keeps its title and its place; the earlier files remain recoverable. That is a small, solid fact. Set it down without dressing it as a verdict on the music.
If revision were a printmaker, this would be the moment of lifting a second sheet: ink still dark, the pressure of the press released. The first impression would stay nearby, not as an embarrassment turned toward the wall, but as a record of what prompted another try.
Perhaps the new line would be clearer. Perhaps a delicate mark would have disappeared while another gained strength. The second sheet would not answer those questions merely by being second. Someone would have to look.
For this song, the reference has entered the process as actual sound, rather than a name alone. The result exists. Its sung words and quality still need a fuller listening judgment. Progress can contain both sentences without crossing either out.
Let the imagined print dry flat. No hurried frame, no ceremony that asks the ink to prove too much. Keep the old impression within reach. Then bring the new one into the light, where a change can become something more useful than a claim.
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